Sons of Otis
from Toronto, Canada
Formed in 1992 in Toronto, Canada, by Detroit expatriate Ken Bluke, Sons of Otis have pounded out some of the lowest, slowest space rock on record. The band originally consisted of just Bluke and was called Otis (after a character in the film Henry: Portrait of a Serial Killer). Otis self-released a debut EP, Paid to Suffer, under that one-word moniker in 1994 after bassist Frank Sargeant joined up to aid Bluke in his search for the perfect stoner tonality.
The group slowly built a solid underground following and in 1996, they were signed to Hypnotic/MCA. This brief partnership produced the band’s first full-length disc, SpaceJumboFudge, as the “Sons of” was added to their name to avoid legal problems with another act with which they were unwittingly sharing “Otis.” Bluke and Sargeant had extreme difficulty finding a drummer and after going through a legion of them, they simply used a drum machine on SpaceJumboFudge. This was quite a development considering Bluke’s die-hard passion for vintage equipment and the analog sound creation and recording methodology. The music didn’t suffer from this modern infringement and Sons of Otis fans were popping up everywhere, especially in Europe where heavy music’s viability never waned to the degree that it did in North America.
After quickly becoming disillusioned with their label, Sons of Otis fled to Frank Kozik’s Man’s Ruin for proper ultra-hip stoner/space rock incubation. In 1999, Man’s Ruin released Templeball and fans of stoner, doom, and space rockers like Sleep, Kyuss, and Electric Wizard really began to catch on. Many positive reviews and higher profile tours and performances followed as Sons of Otis built their reputation as an original and singularly heavy outfit. A re-release of SpaceJumboFudge hit stores in 2000 and the group followed up their Man’s Ruin offerings with Songs for Worship in 2001 on their third label, The Music Cartel.
When Ryan Aubin (formerly of Canada’s Shallow North Dakota) officially joined up, he primed for their first fully coordinated sonic attack on subs and woofers everywhere.
Bio courtesy of Jason Anderson @allmusic.